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	<title>Comments for The Third Ray</title>
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	<link>http://www.thethirdray.com</link>
	<description>Art, Sustainability, Environment - a blog by Joe Zammit-Lucia</description>
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		<title>Comment on David Hockney, the iPad and the joy of landscapes at the Royal Academy by Remy Ceci</title>
		<link>http://www.thethirdray.com/painting/david-hockney-the-ipad-and-the-joy-of-landscapes-royal-academy/comment-page-1/#comment-3487</link>
		<dc:creator>Remy Ceci</dc:creator>
		<pubDate>Sat, 21 Jan 2012 18:33:16 +0000</pubDate>
		<guid isPermaLink="false">http://www.thethirdray.com/?p=665#comment-3487</guid>
		<description>These are beutiful.</description>
		<content:encoded><![CDATA[<p>These are beutiful.</p>
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		<title>Comment on What&#8217;s Your Fetish &#8211; People or Nature? Works by John Stezaker by David Hockney, the iPad and the joy of landscapes at the Royal Academy &#171; The Third Ray</title>
		<link>http://www.thethirdray.com/photography/whats-your-fetish-people-or-nature-works-by-john-stezaker/comment-page-1/#comment-3485</link>
		<dc:creator>David Hockney, the iPad and the joy of landscapes at the Royal Academy &#171; The Third Ray</dc:creator>
		<pubDate>Sat, 21 Jan 2012 12:03:43 +0000</pubDate>
		<guid isPermaLink="false">http://www.thethirdray.com/?p=516#comment-3485</guid>
		<description>[...] photography of the type that populates the National Geographic magazine and other similar outlets. John Stezaker&#8217;s work comments on this view of [...]</description>
		<content:encoded><![CDATA[<p>[...] photography of the type that populates the National Geographic magazine and other similar outlets. John Stezaker&#8217;s work comments on this view of [...]</p>
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		<title>Comment on Naked With Pigs &#8211; Miru Kim by scott</title>
		<link>http://www.thethirdray.com/conceptual-art/naked-with-pigs-miru-kim/comment-page-1/#comment-3396</link>
		<dc:creator>scott</dc:creator>
		<pubDate>Fri, 06 Jan 2012 02:22:02 +0000</pubDate>
		<guid isPermaLink="false">http://www.thethirdray.com/?p=537#comment-3396</guid>
		<description>this is how this whole thing ended up...Primary Flight / Primary Projects aer animal abusers 

http://blogs.miaminewtimes.com/riptide/2012/01/pigs_from_naked_artists_basel.php

http://www.huffingtonpost.com/2012/01/05/miru-kim-pigs-art-basel_n_1187119.html#comments</description>
		<content:encoded><![CDATA[<p>this is how this whole thing ended up&#8230;Primary Flight / Primary Projects aer animal abusers </p>
<p><a href="http://blogs.miaminewtimes.com/riptide/2012/01/pigs_from_naked_artists_basel.php" rel="nofollow">http://blogs.miaminewtimes.com/riptide/2012/01/pigs_from_naked_artists_basel.php</a></p>
<p><a href="http://www.huffingtonpost.com/2012/01/05/miru-kim-pigs-art-basel_n_1187119.html#comments" rel="nofollow">http://www.huffingtonpost.com/2012/01/05/miru-kim-pigs-art-basel_n_1187119.html#comments</a></p>
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		<title>Comment on Does Activism Work &#8211; &#8220;Freedom&#8221; &#8211; a Novel by Jonathan Frantzen by Money for Our Times &#8211; Artists Design Money &#171; The Third Ray</title>
		<link>http://www.thethirdray.com/literature/does-activism-work-freedom-a-novel-by-jonathan-frantzen/comment-page-1/#comment-3323</link>
		<dc:creator>Money for Our Times &#8211; Artists Design Money &#171; The Third Ray</dc:creator>
		<pubDate>Sat, 17 Dec 2011 20:08:34 +0000</pubDate>
		<guid isPermaLink="false">http://www.thethirdray.com/?p=395#comment-3323</guid>
		<description>[...] one can imagine, numerous themes have been explored by the artists concerned. John Gray (above) and Jonathan Frantzen (below) both take up the theme of endangered species, highlighting that, once gone, they will never [...]</description>
		<content:encoded><![CDATA[<p>[...] one can imagine, numerous themes have been explored by the artists concerned. John Gray (above) and Jonathan Frantzen (below) both take up the theme of endangered species, highlighting that, once gone, they will never [...]</p>
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		<title>Comment on Damien Hirst and Sustainability &#8211; What? by Joe Zammit-Lucia</title>
		<link>http://www.thethirdray.com/conceptual-art/damien-hirst-and-sustainability/comment-page-1/#comment-3287</link>
		<dc:creator>Joe Zammit-Lucia</dc:creator>
		<pubDate>Wed, 07 Dec 2011 21:59:43 +0000</pubDate>
		<guid isPermaLink="false">http://www.thethirdray.com/?p=206#comment-3287</guid>
		<description>Thanks for the comment. Maybe all art is &quot;temporal and very distinct to the time we live in&quot;. It is not really possible for us to know how this art will be read in 100 years&#039; time; whether it will be romanticized in the way that, today, we romanticize 100 or 200 year old art even though most of it was just &#039;painting for hire&#039; and much of it was propaganda for the powerful and wealthy. Today we do live in time of much wealth and much of it polarized. Is that not something that artists should find their own way to comment on?</description>
		<content:encoded><![CDATA[<p>Thanks for the comment. Maybe all art is &#8220;temporal and very distinct to the time we live in&#8221;. It is not really possible for us to know how this art will be read in 100 years&#8217; time; whether it will be romanticized in the way that, today, we romanticize 100 or 200 year old art even though most of it was just &#8216;painting for hire&#8217; and much of it was propaganda for the powerful and wealthy. Today we do live in time of much wealth and much of it polarized. Is that not something that artists should find their own way to comment on?</p>
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		<title>Comment on Damien Hirst and Sustainability &#8211; What? by Amanda Anastasia</title>
		<link>http://www.thethirdray.com/conceptual-art/damien-hirst-and-sustainability/comment-page-1/#comment-3260</link>
		<dc:creator>Amanda Anastasia</dc:creator>
		<pubDate>Wed, 30 Nov 2011 20:24:20 +0000</pubDate>
		<guid isPermaLink="false">http://www.thethirdray.com/?p=206#comment-3260</guid>
		<description>It&#039;s legacies like that of Damien Hirst that have me scratching my head to the wee hours of the night. I understand his place in the history of art. I just can&#039;t buy into it. By commenting that all art is nothing more than a commodity and actively participating in the cycle his work, in my opinion, becomes nothing more than temporal and very distinct to the times we live in. Perhaps I just have a romanticized idea about the purpose of art; in that it should transcend an epoch and all of human existence...not just the fact that we live in a time of excess and very polarized wealth.</description>
		<content:encoded><![CDATA[<p>It&#8217;s legacies like that of Damien Hirst that have me scratching my head to the wee hours of the night. I understand his place in the history of art. I just can&#8217;t buy into it. By commenting that all art is nothing more than a commodity and actively participating in the cycle his work, in my opinion, becomes nothing more than temporal and very distinct to the times we live in. Perhaps I just have a romanticized idea about the purpose of art; in that it should transcend an epoch and all of human existence&#8230;not just the fact that we live in a time of excess and very polarized wealth.</p>
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		<title>Comment on What does bullfighting have to do with the environment? by Joe Zammit-Lucia</title>
		<link>http://www.thethirdray.com/socialactivist-art/what-does-bullfighting-have-to-do-with-the-environment/comment-page-1/#comment-3237</link>
		<dc:creator>Joe Zammit-Lucia</dc:creator>
		<pubDate>Wed, 23 Nov 2011 12:29:48 +0000</pubDate>
		<guid isPermaLink="false">http://www.thethirdray.com/?p=315#comment-3237</guid>
		<description>Sandra

Thanks for your comment.  I personally agree with what you say. Sadly, the Spanish government has recently declared bullfighting an item of national heritage so it will now likely be impossible for any other region to ban it. But the reality is that it will die it&#039;s own slow and painful death over time. Few people go to watch these days and, in these difficult economic times, it&#039;s hard to sustain the subsidies.</description>
		<content:encoded><![CDATA[<p>Sandra</p>
<p>Thanks for your comment.  I personally agree with what you say. Sadly, the Spanish government has recently declared bullfighting an item of national heritage so it will now likely be impossible for any other region to ban it. But the reality is that it will die it&#8217;s own slow and painful death over time. Few people go to watch these days and, in these difficult economic times, it&#8217;s hard to sustain the subsidies.</p>
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		<title>Comment on What does bullfighting have to do with the environment? by Sandra Kelch</title>
		<link>http://www.thethirdray.com/socialactivist-art/what-does-bullfighting-have-to-do-with-the-environment/comment-page-1/#comment-3236</link>
		<dc:creator>Sandra Kelch</dc:creator>
		<pubDate>Wed, 23 Nov 2011 12:12:52 +0000</pubDate>
		<guid isPermaLink="false">http://www.thethirdray.com/?p=315#comment-3236</guid>
		<description>Hi !
I agree with all your comments above, but one.

I was in Portugal and as well heard the very stupid argument that if there are no bullfights, there will be an extinction of this specie.

Well we don&#039;t fight against the panthers but we protect them anyway, right ?
Well we don&#039;t fight against the pandas but we protect them anyway, right ?
Well we don&#039;t fight against the gorillas but we protect them anyway, right ?
So why would we have to fight against the bull so that the specie doesn&#039;t go extinct ?

If the countries which have this kind of bull is so stupid to let the specie die just because they don&#039;t USE it, so the country is even more stupid than I thought about.

Every intelligent country try to protect their own species, not only because they use it, but because it is part of their country, culture and so on...

So I hate when I listen or read about this argument, because for me it is totally no sense !!!

I really don&#039;t believe that 50% are against ending with the fights. What I believe is that the lobby is richer, and therefore have more power to keep it.

Go to youtube for example and pls try to find at least 1 video or comment for the fightings !!!
The problem is that this voices are spread and they are not able to get together to scream loud enough!

Pls keep publishing things against bullfighting. It is not human !!!
Thanks!, Sandra 

ps. By the way, wonderful pictures !!!!!</description>
		<content:encoded><![CDATA[<p>Hi !<br />
I agree with all your comments above, but one.</p>
<p>I was in Portugal and as well heard the very stupid argument that if there are no bullfights, there will be an extinction of this specie.</p>
<p>Well we don&#8217;t fight against the panthers but we protect them anyway, right ?<br />
Well we don&#8217;t fight against the pandas but we protect them anyway, right ?<br />
Well we don&#8217;t fight against the gorillas but we protect them anyway, right ?<br />
So why would we have to fight against the bull so that the specie doesn&#8217;t go extinct ?</p>
<p>If the countries which have this kind of bull is so stupid to let the specie die just because they don&#8217;t USE it, so the country is even more stupid than I thought about.</p>
<p>Every intelligent country try to protect their own species, not only because they use it, but because it is part of their country, culture and so on&#8230;</p>
<p>So I hate when I listen or read about this argument, because for me it is totally no sense !!!</p>
<p>I really don&#8217;t believe that 50% are against ending with the fights. What I believe is that the lobby is richer, and therefore have more power to keep it.</p>
<p>Go to youtube for example and pls try to find at least 1 video or comment for the fightings !!!<br />
The problem is that this voices are spread and they are not able to get together to scream loud enough!</p>
<p>Pls keep publishing things against bullfighting. It is not human !!!<br />
Thanks!, Sandra </p>
<p>ps. By the way, wonderful pictures !!!!!</p>
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		<title>Comment on Cultural Response To Climate Change &#8211; David Buckland and Cape Farewell by Gary Hume &#8211; Are the issues to big for any of us? &#171; The Third Ray</title>
		<link>http://www.thethirdray.com/conceptual-art/cultural-response-to-climate-change-david-buckland-and-cape-farewell/comment-page-1/#comment-3214</link>
		<dc:creator>Gary Hume &#8211; Are the issues to big for any of us? &#171; The Third Ray</dc:creator>
		<pubDate>Fri, 18 Nov 2011 13:11:26 +0000</pubDate>
		<guid isPermaLink="false">http://www.thethirdray.com/?p=450#comment-3214</guid>
		<description>[...] British artist who does not usually engage with environmental issues. He became involved with Cape Farewell and created some artworks in an attempt to engage with the issues.  As reported in an article in [...]</description>
		<content:encoded><![CDATA[<p>[...] British artist who does not usually engage with environmental issues. He became involved with Cape Farewell and created some artworks in an attempt to engage with the issues.  As reported in an article in [...]</p>
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		<title>Comment on Trees In Concrete &#8211; David Brooks at MOMA PS1 by PS 1</title>
		<link>http://www.thethirdray.com/conceptual-art/trees-in-concrete-david-brooks-at-moma-ps1/comment-page-1/#comment-3204</link>
		<dc:creator>PS 1</dc:creator>
		<pubDate>Tue, 15 Nov 2011 20:45:41 +0000</pubDate>
		<guid isPermaLink="false">http://www.thethirdray.com/?p=267#comment-3204</guid>
		<description>[...] rooms filled with film, photographs, and sculptures.  One of my favorite exhibits of the day was David Brooks’ Preserved Forest.  This piece is exactly what it sounds like: a portion of a Brazilian [...]</description>
		<content:encoded><![CDATA[<p>[...] rooms filled with film, photographs, and sculptures.  One of my favorite exhibits of the day was David Brooks’ Preserved Forest.  This piece is exactly what it sounds like: a portion of a Brazilian [...]</p>
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